By 1987 a German party scene based around the Chicago sound was well established. The following year (1988) saw acid house making as significant an impact on popular consciousness in Germany as it had in England.
In 1989 German DJs Westbam and Dr.Motte established UFO, an illegal party venue, and co-founded the Love Parade. After the Berlin Wall fell on 9 November 1989, free underground techno parties mushroomed in East Berlin, and a rave scene comparable to that in the UK was established.
But in 1991 a number of party venues closed, including UFO ,and the Berlin Techno scene centered itself around three locations close to the foundations of the Berlin Wall: Planet (later renamed E-Werk by Paul van Dyk), Der Bunker, and The relatively long-lived Tresor.
In the same period German DJs began intensifying the speed and abrasiveness of the sound, as an acid infused techno began transmuting into hardcore. DJ Tanith commented at the time that: “Berlin was always hardcore, hardcore hippie, hardcore punk, and now we have a very hardcore house sound. At the moment the tracks I play are an average one hundred and thirty five beats per minute and every few months we add fifteen more.”
2. United Kingdom
Early Hardcore producers such as SL2, Hyper-On Experience, DJ Jonny L and Sonz of a Loop da Loop Era, along with record labels such as Moving Shadow, Reinforced, XL and Formation evolved in a period where Techno was developing a harder edge, exploring the complex breakbeats that would later manifest themselves as Jungle and the subsequent development of Drum and Bass. The stylistic influence of techno including the movie, cartoon and media samples, and powerful synthesizer-based breakdowns characterized this earlier form of UK Hardcore, which some believed to have hit its first peak in 1992. For example, some fan websites go so far as to hyperbolically proclaim "1992 was the best year for music, EVER!"
With the diversity in sound available to producers rising with the onset of progressively more advanced computer and music production systems, electronic music was evolving at a rapid pace during this period. Hardcore, Techno, and Drum and Bass began split during this intense period of creativity, spinning off the genres Ragga and Darkside.
The United Kingdom-based rave hardcore scene of the 1990s encompassed several native styles through the years, techno and hardcore being the respective dominant genres in the North and South of the country for much of this period.
Through a combination of factors, hardcore had taken a new musical direction towards the latter half of the 1990s. It now had little musical resemblance to its origins, generally becoming more vocal-based and at times producing cover versions of popular songs. This sound attracted a younger audience in the UK. Elsewhere at this time, this particular sound had found a new worldwide audience in places such as Australia, Canada, Japan and the United States.
Producers looked to regenerate the United Kingdom rave hardcore music scene towards the end of the 20th century, taking influence from many different styles whilst trying to leave the late 1990s happy hardcore image behind. Their sound was called UK Hardcore; it has seen new producers enter the scene. This emerging sound is thought to have been influenced by Dutch gabber and Belgian hardcore; styles that were in their own perverse way paying homage to Underground Resistance and Richie Hawtin’s Plus8 Records. This current sound similarly has also found followers from all corners of the globe.
Hardcore also received its own special in 2004 on BBC Radio 1 entitled John Peel Is Not Enough named after a CLSM track of the same name.
3. The Netherlands
It was here where first gabber/hardcore track appeared - We Have Arrived (1990) by Mescalinum United.
Dutch Hardcore music is a fusion of techno and industrial blended in a dark atmosphere, experimental and hard. One of first Dutch hardcore tracks was Rotterdam Termination Source's Poing (1992) which became a major hit. The record shop Midtown in the Nieuwe Binnenweg of Rotterdam is considered one of the shrines of Gabber music.
During the early 90’s hardcore takes the rawest side of ‘acid’ and techno sound (including Belgian ‘new beat’ and some of Underground Resistance’s harder material) and pushes it to the furthest extremes of noise and speed. Frankfurt’s Planet Core Productions label and The Netherlands’ Rotterdam Records promote the sound in Europe, while Lenny Dee’s Industrial Strength label in NYC does it stateside (triggering the growth of the hardcore scene in Chicago, featuring DJ Delta 9, and the entire Milwaukee scene, represented by Drop Bass Network).
The mid 90s free festival scene represents the culmination of underground techno events in Europe, birthing such notable hardcore techno collectives as Spiral Tribe and Network 23. But as each country slowly latches down on party-goers, the scene is forced to retreat, and only really survives in France and Netherlands, where the hardcore scene delivers hard-hitting political critiques of the status quo through its devastating music.
After surviving underground for a number of years, in 2002 the style has became more popular again in the Netherlands, although the sound is more mature, darker and industrial. Around the world, it never lost its original grip, and music was evolving and creating new subgenres and approaches, from Digital Hardcore to Breakcore, from Noisecore to Speedcore.
Labels like Ant-Zen, Hands and other industrial/experimental ones use many Hardcore/Gabber elements and come close to what nowadays is called Darkcore. It was like if the "happy hardcore period" was overlooked, and Hardcore kept evolving from the oldskool times, maintaining the original industrial harshness and approaching other styles in a genre which is now one of the most rich and detailed in electronic music, due to its variety and broad range of talented artists.
As hardcore continues to grow, each different type of hardcore (each subgenre) begins to attract a larger fan base and more support from producers.
you should print a book with this shitReplyDelete
good job, book it!:DReplyDelete
Thanks:) But, as we said in an earlier post, the information here are not ours...printing them wouldn't be neither legal, nor "nice". what we did here was to gather info's from all over the internet.ReplyDelete
this blog acts like a history book if you want, but there are tones of stuff to add here, this is just the beginning.ReplyDelete
Just a wee note on the genres. For me personally Bouncy Techno is surely in with a shout, popularised by Scott Brown / Davie Forbes / Bass Generator / Technotrance / Marc Smith / Brisk etc etc etc. Very popular here (In Scotland) and the North of England.ReplyDelete
Not unlike the sounds of Pengo / Dwarf and a few Scottish producers had tunes signed to these labels.
Very much different to the breakbeat / jungle sounds coming from England at the time, definitely on a par with the Dutch stuff from 92(ish) to 95(ish) I'm sure a few folk will split hairs over the exact dates !!!!
Here's a few notes by me:
- Mescalinum United (aka Marc Acardipane) is actually from Germany, not NL. "We Have Arrived" gave birth to the Early Hardcore sound, which was continued on the Planet Core Productions label and later as the doomcore subgenre.
- Early Hardcore in the Netherlands was first called Gabber House, since it originated from House music. The first known track of this style was "Amsterdam, Waar Lech Dat Dan?" by Euromasters released in 1992. The track takes a piss on Amsterdam's Mellow House scene (the Rotterdam vs Amsterdam attitude).
- I didn't know Spiral Tribe and Network 23 were hardcore techno centered? Or is this about the hardcore breaks thing?
- Speedcore wasn't born in the turn of the century. It has been made since 1993 ("Sorcerer - Summer" being one of the earliest tracks). Basically it has always been there :). I'll write more about Speedcore later.
Yes, hardcore came from Frankfurt Germany.Delete
a suggestion....where is breakcore??!!!ReplyDelete
however,a lot of thanx for the great work!!
spiral tribe were one of the first underground sound and raves around.with the deep house witch then got faster,with more mixing and faster beats.you ended up with early rave.hardcore was born. keep it alive!!ReplyDelete
Great info, great for preaching to those that dont know what hardcore is and think i am speaking of metal <>ReplyDelete
hardcore came from LA, California.ReplyDelete
No, it is not.Delete
I actually have sat down with many of the pioneers. Still waiting on Lenny Dee to have time but Simon Underground gave tons of insight.,Most of how I recall it seems accurate,ReplyDelete
That's a fair article but if its any consolation the Sounds of Chris Unknown with Major up and coming hardcore MC - MC 3ManReplyDelete